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Vol 4 No 1 (2022): Contrapulso
Published:
2022-01-27
Editorial
1-3
PDF
Collaboretors
Editorial Team
Articles
From the voice to the symbol: Amália and Gardel as Port song stars
Dulce María Dalbosco
4-18
PDF
Becoming enraged: Lemebel, Paquita la del Barrio and “the language of anger”
María del Pilar Jarpa Manzur
19-36
PDF
The traditional paradigm of Cuarteto Cordobés. Sounds, words and stories
Maria de los Angeles Montes
37-53
PDF
Mysterious “Azabache”: contextualization and analysis of Astor Piazzolla’s first arrangement for the Aníbal Troilo orchestra
Andrés Serafini
54-74
PDF
The voice of Mercedes Sosa for the poetry of Armando Tejada Gómez. An analysis of interpretation as a contribution to the study of singing
Nilda Godoy
75-88
PDF
El incendio del poniente (1984) in the Argentine democratic spring: folklore and youth in the solo album by Jacinto Piedra.
Tomás Mariani
89-101
PDF
“Química”, by Mauricio Redolés: a chronicle of the student movement during the Chilean military dictatorship
Víctor Navarro Pinto
102-117
PDF
Reviews
Nelson Varas-Díaz, Daniel Nevárez Araújo y Eliut Rivera-Segarra eds. 2021. Heavy Metal Music in Latin America: Perspectives from the Distorted South. Lanham, Maryland: Lexiton Books, 361pp.
Andrés Celis
118-122
PDF
Gabriel Chacón, Felipe Godoy, Cristofer Rodríguez y César Tudela. 2020. 200 discos de rock chileno. Una historia del vinilo al streaming. Santiago: Ocho libros, 446 pp.
admin admin
123-127
PDF
Paulina Briceño (A.K.A Brita la Matriarca). 2021. Ser Bgirl. Filosofía del Hip Hop. Santiago: Autoedición, 240 pp.
Tomás G. Marqués
128-131
PDF