Editorial

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Collaborators

Editorial Team

“An Evening with Salvador Allende”: from a suspended milestone to a suspension of the milestone

3-16

The group Sanampay: song and resistance during the Argentine exile in Mexico (1974-1983)

17-34

The appropriation of Nino Bravo’s song “Libre” during the Pinochet regime: reconstructing the birth of a myth

35-49

The challenge of immediacy for the murga scene in Chile. Satirical musical expressions in contexts of social distancing

50-64

Participate, observe, investigate: the method as a process

80-91

The rise of competition freestyle in Chile: batalla de gallos as a renewed way of making and consuming hip-hop

65-79

David Spener. 2017. “No nos moverán”: biografía de una canción de lucha. Santiago: LOM ediciones, 179 pp.

92-94

Paulo Gustavo da Encarnação. 2018. Rock cá, Rock lá: A produção roqueira no Brasil e em Portugal - 1970/1985. São Paulo: Intermeios, 284 pp.

95-99

Jesús Cosamalón y José Carlos Rojas. 2020. “¡Qué cosa tan linda!” Una introducción al estudio de la salsa en el Perú. Lima: Pontificia Universidad Católica del Perú, 174 pp.

100-103

William Moylan. 2020. Recording Analysis. How the Record Shapes the Song. Nueva York: Routledge, 568 pp.

104-106